I have been asked frequently about what kind of Bigfoot sightings we have locally in Indiana and why I should think of them as anatomically different from the West Coast Sasquatch. Steve Abnet just shared this logo for the Indiana Bigfoot Investigations Society and I thought it was a good representation of what the sightings were like locally. Tess Ballard based it on an impression of several witness' accounts and made it in 2006. When it went up, Penny Goad (of Evansville) added, "Yes, it descibes a lot of witness accounts. I give you my honesty."
It is pretty much the same kind oif Bigfoot as is found in Ohio, Kentucky, Tennessee and the adjoining states. The build is like a really big, burly "Bluto" kind of a man covered all over with fairly long body hair (I have heard that descrption repeatedly). The head is not usually pointed but it is domed, and the head stands up from the shoulder muscles. In younger ones, you can have a distinct impression of a neck. The males can have a distinctive beard and moustache.
This is distinctively the same type of Bigfoot that is illustrated by Forensic Artist Harvery Pratt. The raggedy edge of hairs along the outsides of the arms and legs is another commonly noted feature.
http://frontiersofzoology.blogspot.com/2011/02/salute-to-harvey-pratt-native-american.html
As to its hunting deer, for that we have an independant statement from today's Bigfoot Evidence:
http://bigfootevidence.blogspot.com/2013/04/is-this-squatch-kill.html
YouTube user "OutdoorAdventuresWI" found
this possible Bigfoot kill after tracking footprints in the snow. This deer
carcass and the footprints were found on a private property in Neilsville
Wisconsin. Read More
The reports from Wisconsin, Minnesota and Illinois also seem to be distinctly of this same type. I might add that there are several alleged finds of bones and teeth from this type in this part of the Midwest, and they are consistent with the anatomy of fossil humans but of a very large size. DD.

FRONTIERS OF ZOOLOGY
Dale A. Drinnon has been a researcher in the field of Cryptozoology for the past 30+ years and has corresponded with Bernard Heuvelmans and Ivan T. Sanderson. He has a degree in Anthropology from Indiana University and is a freelance artist and writer. Motto: "I would rather be right and entirely alone than wrong in the company with all the rest of the world"--Ambroise Pare', "the father of modern surgery", in his refutation of fake unicorn horns.
Plug
Member of The Crypto Crew:
http://www.thecryptocrew.com/
Please Also Visit our Sister Blog, Frontiers of Anthropology:
http://frontiers-of-anthropology.blogspot.com/
And the new group for trying out fictional projects (Includes Cryptofiction Projects):
http://cedar-and-willow.blogspot.com/
And Kyle Germann's Blog
http://www.demonhunterscompendium.blogspot.com/
And Jay's Blog, Bizarre Zoology
http://bizarrezoology.blogspot.com/
http://www.thecryptocrew.com/
Please Also Visit our Sister Blog, Frontiers of Anthropology:
http://frontiers-of-anthropology.blogspot.com/
And the new group for trying out fictional projects (Includes Cryptofiction Projects):
http://cedar-and-willow.blogspot.com/
And Kyle Germann's Blog
http://www.demonhunterscompendium.blogspot.com/
And Jay's Blog, Bizarre Zoology
http://bizarrezoology.blogspot.com/
Showing posts with label Harvey Pratt. Show all posts
Showing posts with label Harvey Pratt. Show all posts
Monday, 8 April 2013
Indiana Bigfoot
Labels:
bigfoot,
Bigfoot Evidence,
Bigfoot predation on deer,
Harvey Pratt,
Indiana,
Indiana Bigfoot,
Midwest
Thursday, 28 June 2012
We have met the Bigfoot - And he is us!
http://bf-field-journal.blogspot.com/2012/06/we-have-meet-bigfoot-and-he-is-us.html
Posted by Joe Black
[I thought the representations of Bigfoot faces made from impressions of videos taken in the Apallachian region were especially good and from the standpoint of classification of these creatures, I have nothing to add. My opinion already stated agrees with the conclusions made here-DD]
Actual Still Capture from Trail
Cam
The two most common questions I get has lately are: Have you ever seen a Bigfoot and what do they look like? My answer is yes and just like us. The latter answer still startles many people who ask me this question, especially those not familiar with the recent developments in Bigfoot research. "But I thought it was an big ape that walked on two legs", is the response I usually get in return to that answer.
I have made eye
contact twice and captured at least a dozen on video and they look remarkably
"human". Mary Green took heavy criticism in the 80's and 90's because she was
describing them with human features. The "old guard" had trouble accepting they
did no look like a large ape.
It was not until
David Paulides published his two books "The Hoopa Project" and "Tribal Bigfoot"
that the Bigfoot world started rethinking what a Bigfoot actually looked like.
David recruited Harvey Pratt, an experienced and nationally respected forensic
artist. Harvey then interviewed witnesses and drew what they described without
any interpretation. The results were ground breaking. David had applied good
solid investigative methods to his research and the results were amazing images
of what the Bigfoot actually looked like. To everyone's surprise and amazement
they looked like US!
The general facial
features vary depending on the region of the country the Bigfoot live in. In
East Tennessee the Bigfoot generally have rounder heads, only a few have a
"dome" or "crest". The noses are very human like in this area. Some are narrow
unlike the flat wide noses described in other parts of the country. The mouth is
wider than what we would consider normal. The teeth are square and human
looking. I know that some Bigfoot have pronounced canines (as do some people)
but in my experience I have not seen any with "fangs". The skin color is pasty
gray or black with a leathery appearance. There are exceptions to this, I once
captured a video of one with very light skin, and his face was remarkably human
looking.
The major feature that is different from most humans and appears to be very common with the Bigfoot in my area is what we call the "Goggle Look". They have a pronounced brow and deep set eyes. This makes them look like they are wearing a pair of dark goggles. This feature is interesting and makes it difficult to see their eyes unless you are extremely close.
"Why do you
think they look like us" is usually the following up question. In my area I
think it is because of interbreeding with humans for hundreds of years. The
Cherokee have stories of their women actually taking Bigfoot as husbands and
bearing their children. Unfortunately it is my opinion that women over the past
few centuries have been forcibly taken and children as well. I think they were
integrated into the Bigfoot clans and as a result we have the more human
appearance of the Bigfoot in this area of the country.
This Charles Middleton drawing comes very close to
representing the general look of the Bigfoot in my area of the
country.
In conclusion the Bigfoot are each unique individuals. Their facial features vary but In general have a remarkably "human" quality about them. That is why I say, we have met the Bigfoot and he is us.
Below is a drawing I made based on both my eye witness encounter and video captures. I believe this to be a young female that I call "Scout". She showed herself to me briefly and we made eye contact back in 2010.
Posted by Scott Carpenter on the same blog under "Signs and Wonders":
This one has facial features reminiscent of the "Minnesota Iceman"
We have met the Bigfoot - And he is us!
Reprinted from Bigfoot Field Journal Friday, June 15, 2012Posted by Joe Black
[I thought the representations of Bigfoot faces made from impressions of videos taken in the Apallachian region were especially good and from the standpoint of classification of these creatures, I have nothing to add. My opinion already stated agrees with the conclusions made here-DD]

The two most common questions I get has lately are: Have you ever seen a Bigfoot and what do they look like? My answer is yes and just like us. The latter answer still startles many people who ask me this question, especially those not familiar with the recent developments in Bigfoot research. "But I thought it was an big ape that walked on two legs", is the response I usually get in return to that answer.
![]() |
Still Capture from Trail Cam |
![]() |
Still Capture from Video |
![]() |
Still Capture from Video |
The major feature that is different from most humans and appears to be very common with the Bigfoot in my area is what we call the "Goggle Look". They have a pronounced brow and deep set eyes. This makes them look like they are wearing a pair of dark goggles. This feature is interesting and makes it difficult to see their eyes unless you are extremely close.
![]() |
Still Captures from Videos - Goggle Affect |
![]() |
"Sneering Bigfoot" |

In conclusion the Bigfoot are each unique individuals. Their facial features vary but In general have a remarkably "human" quality about them. That is why I say, we have met the Bigfoot and he is us.
Below is a drawing I made based on both my eye witness encounter and video captures. I believe this to be a young female that I call "Scout". She showed herself to me briefly and we made eye contact back in 2010.
![]() |
Drawing of the Bigfoot "Scout" |
Posted by Scott Carpenter on the same blog under "Signs and Wonders":
This one has facial features reminiscent of the "Minnesota Iceman"
Labels:
Appalacians,
bigfoot,
Bigfoot Individual Variation,
Bigfoot Portraits,
Eastern Bigfoot,
Harvey Pratt,
Videos
Saturday, 26 February 2011
Salute to Harvey Pratt, Native American Forensic & Bigfoot Artist

I dig Harvey Pratt: he spent a lifetime doing what I would have wanted to spend my lifetime doing. Unfortunately, things did not pan out for me to go into that sort of a career in my case.
Harvey Pratt
From Wikipedia, the free encyclopedia
Harvey Phillip Pratt (born 1941) is an American forensic artist and Native American artist, who has worked for over forty years in law enforcement, completing thousands of composite drawings and hundreds of soft tissue postmortem reconstructions.[1] To this end, his work has assisted in thousands of arrests and hundreds of identification of unidentified human remains throughout America.[1] His expertise in witness description drawing, skull reconstruction, skull tracing, age progression, soft tissue postmortem drawing and restoration of photographs and videos have aided law enforcement agencies both nationally and internationally.[2] Pratt also assists investigations though training classes, besides lecturing before universities, colleges, schools and civic groups.
Pratt was born in El Reno, Oklahoma and is a member of the Cheyenne & Arapaho tribes where he is recognized as one of the traditional Cheyenne Peace Chiefs,[3] also known as the Council of Forty-Four. He has been recognized by the Cheyenne People as an Outstanding Southern Cheyenne.[4] He is the great grandson of scout, guide, interpreter and Sand Creek massacre survivor, Edmund Guerrier.[5] He is the great great grandson of American frontiersman, William Bent.[6] Pratt lives in Guthrie, Oklahoma.
Forensic Art
Example of Postmortem Drawing by Harvey PrattPratt began his career with Oklahoma's Midwest City Police Department in 1965, where, as a police officer, he completed his first composite drawing that resulted in an arrest and conviction.[3] He joined the Oklahoma State Bureau of Investigation in 1972 as a narcotics investigator and retired in 1992 as an Assistant Director.[3] He is now employed with the agency as a full time forensic specialist.[1]
Pratt's forensic expertise has contributed to many high profile cases: The Green River Killer (Gary Ridgeway),[7] Oklahoma Girl Scout Murders (Gene Leroy Hart),[8] Henry Lee Lucas and Ottis Toole,[1] Bobby Joe Long,[1] The I-5 Killer (Randall Woodfield),[1] Tommy Ward and Karl Fontenot,[9] Tommy Lynn Sells,[10] World Trade Center 1993 bombings,[1] Ted Bundy,[3] Sirloin Stockade Murders (Roger Dale Stafford, Verna Stafford and Harold Stafford),[11] Joe Fischer,[1] Roger Wheeler murder,[12] the Oklahoma City bombing of the Alfred P. Murrah Federal Building,[1] Donald Eugene Webb,[1] Oklahoma State Fair Abducted Girls (Roy Russell Long),[1] and Randolph Dial.[3]
In the mid 1980s, Pratt developed the soft tissue postmortem drawing method.[13] Using this method, the forensic artist draws or paints on the photograph of a victim to repair tissue damage or decomposition. The drawing repairs the trauma to the victim so that the final image will be more presentable when asking for law enforcement's or the public's assistance in identification.
Native American Art
Pratt encompasses painting, sculpting, wood carving, mural painting, bronze work, architectural design and graphic design.[14] He is a self-taught artist and creates in the media of oil, acrylic, watercolor, metal, clay and wood.[14] His artwork is a blend of his forensic art and law enforcement experience with traditional Native American environment.
Pratt has received awards for his artwork at Inter-Tribal Indian Ceremonials, Gallup, New Mexico, and Red Earth Festival, Oklahoma City, Oklahoma.[4] In 2005, he was given the title "Master Artist" by Red Earth, as well as being selected as the Red Earth 2005 Honored One.[3]
His works are in many permanent collections, including the National Park Service, the Smithsonian Institution[4], the Sequoyah National Research Center, and the University of Oklahoma. He accepted state appointments to the Oklahoma Arts Council by Governor Frank Keating and Governor Brad Henry.[3]
Notes
1.^ a b c d e f g h i j k OSBI Forensic Art
2.^ Brown
3.^ a b c d e f g McDonnell
4.^ a b c Lester, p. 446
5.^ National Archives #368 Edward Guerrier
6.^ National Archives #367 Julia Bent Guerrier
7.^ Smith & Guillen, reconstruction credit in photo section
8.^ Wilkerson & Wilkerson
9.^ Mayer, p. 33
10.^ Fanning, p. 108
11.^ English & Calhoun, pp. 400-401
12.^ Fossett
13.^ Stott
14.^ a b Pratt
References
Brown, Michele M. "Native American forensic artist featured at Guthrie Art Walk", Guthrie News Leader, 10 November 2005
Calhoun, Sharon & English, Billie. Oklahoma Adventure. Oklahoma City/ACP, 2001. ISBN 0961948485
English, Billie & Calhoun, Sharon. Oklahoma Heritage. Oklahoma City/Holt, Calhoun, Clark & Quaid, 1989. ISBN 0961949600
Fanning, Diane. Through the Window. St. Martin's Press, 2003. ISBN 0312985258
Fossett, Judy. "Clues Sketchy In Tulsa Killing", The Daily Oklahoman, 29 May 1981
Lester, Patrick D. The Biographical Directory of Native American Painters. SIR Publications, 1995. ISBN 0806199369
McDonnell, Brandy. "2005's honoree also fights crime", The Oklahoman, 29 May 2005
Mayer, Robert. The Dreams of Ada: A true story of murder, obsession, and a small town. New York/Viking, 1991. ISBN 0670810797
National Archives & Records Administration, SW Region Fort Worth, Record Group 5, Bureau of Indian Affairs, Concho (Cheyenne & Arapaho Agency), E12 Land Transactions, Report on Heirship
Oklahoma State Bureau of Investigation Forensic Art retrieved 2 January 2008
Pratt, Harvey - Native American Artist & Police Forensic Artist retrieved 27 December 2007
Smith, Carlton & Guillen Thomas. The Search for the Green River Killer. New York/Penguin, 1991. ISBN 0451402391
Stott, Kim. "Artist Retouches Photos To Help Identify Victims", The Sunday Oklahoman, 31 October 1982
Taylor, Karen T. Forensic Art and Illustration. Boca Raton/CRC Press, 2000. ISBN 0849381185
Wilkerson, Michael & Wilkerson Dick. Someone Cry for the Children: The unsolved Girl Scout murders of Oklahoma and the case of Gene Leroy Hart. New York/Dial, 1981. ISBN 0803782837
Harvey is a very special individual who shows a sensitive attention to tradition. He has a sideline in doing Bigfoot art and I reccomend the online store on his site.
http://www.harveypratt.com/store/index.cfm/product/83_8/my-dark-passenger-bigfoot-sculpture.cfm
Basically in this blog I am championing Harvey's art because he is showing Bigfoot to be about the way I take Bigfoot to be: in the Bigfoot as typical of the Eastern United States and Canada specifically. Harvey works in Oklahoma and I work in Indiana, but as I understand it, we are both talking about the same sort of Bigfoot: the same sort of Bigfoot encounterd in the Apallachian Mountains, in Florida as the more human kind of "Skunk Ape" and the same type that Ivan Sanderson was describing as Wendigo, the Boreal Bigfoot. I am appending illustrations of his Bigfoot art here because I understand it to be a good representation of the shape of the skull and bodily proportions of such creatures. The effect is extremely close to the Minnesota Iceman. And Harvey includes a Bigfoot wearing a wolfskin and one wearing deer antlers in his group shot "Yesterday, Today and Forever", and I can even go with him on that part, too, since I recently posted a CFZ blog which pointed out exactly those features.
I am proud to present Harvey's art here and I just wanted you to know that I specifically asked his permission before posting this blog, out of respect. His permission came last night and I am very happy to go forward with the publication of the blog now. Thanks for everything, Harvey.
Best Wishes, Dale D.

"Berry Bush Jumper"

"My Dark Passenger"

"Yesterday, Today and Tomorrow"
"A Little Scolding"-Bigfoot being told off by one of the Little People. Bigfoot's head shape is just about perfect here.
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